Polina Kniaz-Petukhovsky (b. 1990) is a visual artist from Dubai whose practice encompasses biomorphic surrealistic paintings and sculptural work. She studied Contemporary Drawing and Painting at Central Saint Martins (UAL) in 2024, completed the RMA Modern Art Program (2017–2018), and previously studied at Boston University, ISM (Frankfurt am Main), and the Higher School of Economics (HSE). Her international background informs a practice rooted in psychological exploration, layered symbolism, and refined technical execution.
Kniaz-Petukhovsky’s work investigates the transformation of internal emotional states, with a particular focus on the architecture of unbearable feelings. Anxiety and panic — emotional intensities familiar to many and personally experienced by the artist — form a central part of her research. Through the painting process, these destabilising sensations are gradually transformed into visual harmony, tranquillity and satisfaction.
Each painting evolves through numerous thin oil layers, with every stage bringing a greater sense of order, clarity, and structure. When the canvas becomes insufficient to contain a particular emotional force, she extends her practice into clay sculpture, producing tactile objects that emphasise physicality and immediate sensory grounding. Polina also works with watercolours to create rapid, expressionist drawings that capture the immediacy of first encounters — spontaneous visual notations that distil an initial emotional charge into fluid, gestural marks.
Across all media, vivid palettes and recurring symbolic motifs operate as gateways into psychological landscapes shaped by memory, transformation, and states of heightened perception.
Her work has been exhibited internationally, including at World Art Dubai (2024), Boomer Gallery in London (“Dreams and Nightmares,” 2024), Artly Mix Gallery in São Paulo (“Elementos,” 2024), and in her solo exhibition “Emotional Kaleidoscope” in Tbilisi (2024). Kniaz-Petukhovsky continues to develop a distinct visual language dedicated to emotional transformation and the architecture of inner experience.